ABR Festival uses a modular, motion-first identity built around the contrast between Low Tech and High Life. The system combines a custom pixelated typeface with the structural clarity of Helvetica, producing a dynamic visual language generated entirely through code. Flexible enough to stretch across print and digital, the identity holds together a festival defined by its multicultural character — multiple sounds, rhythms, and audiences coexisting within a single coherent system.

A poster series for Jazz Cafe Buna Tetu, built from the data of the music itself. Each piece is generated in Processing from sound analysis of a specific track — frequency bands mapped to form, color, and density, producing compositions that move in sync with the music they come from. The visual logic draws from the history of jazz print — structured typography and fluid forms of mid-century record covers — reprocessed through algorithmic means. No two posters are the same. Each one captures a specific track at a specific moment, a fixed frame from something that was always in motion.

MiAO World is a digital platform for a Chinese gaming studio working at the intersection of voxel-style worlds and artificial intelligence. The visual language draws from the grammar of 80s computing — pixel type, monochrome palette, glitch as texture rather than error. The result feels less like a designed surface and more like a system with its own history, something that existed before you arrived.

N-Ost team wanted a website where they could archive studies, articles conference material on climate data in Central Asian countries. Their goal was to organise all the data that was scattered on the internet, on remote servers or private computers and to make it accessible through a website, so that they could look for information, or be informed about developments and finally not lose valuable data.

Who Owns The Media is an interactive platform mapping the entanglement of media ownership in Greece. The work transforms a dense network of relationships, interests, and influence into a navigable system — built as a tool for journalistic research as much as public understanding.